Keyword 'Childhood'

Six-year-old Yusuf has just begun attending primary school where he is learning how to read and write. His father, Yakup, is a beekeeper. He goes
about his trade deep inside the woods where he hangs up his bee hives in the treetops of the highest trees.

Beshkempir (The Adopted Son) takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child.

The recent Rumanian cinema delights the screenland

The current Rumanian cinema is very exciting, which could also be seen at the Festival in Cannes: In 2006, the gentle feature film "Comment j'ai fêté la fin du monde" (Cum mi-am petrecut sfârsiful lumil) by Catalin Mitulescu was honoured with the award "Un certain regard" for the actress.

After a forty-year civil war, the radio in Chad announces that the government has decided to grant amnesty to all war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim (Ali Bacha Barkai), a 16-year-old youth, to trace the man who killed his father and to execute him.

The time is 1702.

A young samurai, Aoki Sozaemon (Okada Junichi) has left his countryside hometown, and is now living in Edo (now Tokyo), in search of Kanazawa Jubei (Asano Tadanobu), the man who killed his father.

He is living in a dilapidated tenement house, in the poor quarters of the city of Edo.

Yoshii, his wife and their two sons, Ryoichi and Keiji, move into a Tokyo suburb. The head of Yoshii’s department lives nearby. When he invites Yoshii’s family and all the children in the neighbourhood to a film show at his house, Ryoichi and Keiji are thrilled to discover their father on the screen.

"La danse du singe et du poisson" is the documentary film that goes with "Les gens de la rizière". It shows the seven girls aged from four to fourteen years that star in "Les gens de la rizière".

La petite vendeuse du soleil
Dans les rues de Dakar, ce sont les garçons qui ont le monopole de la vente des journaux. Bien qu'elle se déplace avec des béquilles, Sili, 12 ans, a fermement décidé qu?elle aussi allait distribuer le quotidien sénégalais, le Soleil.

War is imminent, but pregnant Nour refuses to admit it. Her husband, more rational, persuades her to leave. Convinced they will be able to return shortly, they bring with them only the bare necessities. Little do they know that they are leaving behind the fond memories of a paradise lost.

At early age children begin to work in the Mexican countryside. The Inheritors is a portrait of theirs lives and their daily struggle for survival. These children work farming, sculpting and painting alebrijes, shepherding, making bricks, weaving cloth, looking after their little siblings, collecting water, harvesting tomato, chili, maize, and laboring in a myriad of other activities.

Madeinusa is a girl aged 14 who lives in an isolated village in the Cordillera Blanca Mountain range of Peru. This strange place is characterized by its religious fervor. From Good Friday at three o'clock in the afternoon (the time of day when Christ died on the cross) to Easter Sunday, the whole village can do whatever it feels like.

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers and have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note, charging her oldest boy to look after the others.

The news that his first wife was pregnant with a child when they separated some ten years ago comes to official photographer Cao Depai (Li Xuejian) like a thunderbolt out of the blue. Now she is dead, and the son that he never knew was found wandering the streets.

Twelve-year-old Tedo lives with his young mother in Keto in an isolated hut on the outskirts of Tiflis. Tedo and Keto are refugees from Abchasia. The civil war has claimed everything they ever owned, including Tedo’s and Keto’s hopes for a bright future as an intact family unit.

In this epic drama drawing on Bambara culture, which echoes mythic legends in an invented tale, a hero undergoes ordeals that allow him to renovate a decaying society. A young man must penetrate the secrets of the Komo cult (a real caste of specialist knowledge among the Bambara), whose members have abused their spiritual powers.

The Taiwanese filmmaker Edward Yang shows in his film Yi Yi - A One and a Two the life of a family in modern Taipei. NJ is a man in his mid-forties. He is married, a father of two children and successful in his job - still he is no longer happy with himself and with his life.

While NJ starts seing his old flame again his mother-in-law is in a coma.