Keyword 'Father'

Beshkempir (The Adopted Son) takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child.

Norbu is a nomad who lives with his wife and his child in the mountainous highland of tibet as a shepherd. He belongs to an ethnic minority and from time to time he sees himself compelled to act as a horse thief in order to provide his family with food.

After a forty-year civil war, the radio in Chad announces that the government has decided to grant amnesty to all war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim (Ali Bacha Barkai), a 16-year-old youth, to trace the man who killed his father and to execute him.

This is Ariel's world: the small, slightly seedy shopping center in downtown Buenos Aires, where the Italian shopkeepers scream all day, the Koreans sell feng-shui and old Osvaldo sells nothing. Where Ariel's mother runs a lingerie shop and his brother deals in import-export.

Sixth film from the Argentine director Daniel Burman, author of Esperando al Mesías (2000), El abrazo partido (2004) and Derecho de familia (2006). El nido vacío explores the emptiness experienced when children grow up and leave home, suddenly revealing the marital cracks (hidden for years beneath the everyday noise and chaos of family life).

Esma (Mirjana Karanovic) is living with her 12-year-old daughter Sara (Luna Mijovic) in Grbavica, a quarter of the Bosnian capital Sarajevo. Saras class plans to go on a school trip. Since children of fallen warriors in the last war are not supposed to pay, Sara thinks that she is one of them (because her mother told her that her father got killed in war).

Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly, for he's preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie.

1981 - Morocco – The month of Ramadan. With her seven-year-old son, Mehdi, Amina moves in with her father-in-law, Ahmed. Mehdi’s father is in prison but the boy believes that he has gone to work in France: his mother and grandfather maintain this illusion for his sake.

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers and have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note, charging her oldest boy to look after the others.

An ageing father waits, in vain, at the bus stop for his son Raghu, a student at the University of Trivandrum, who is supposed to be coming home for the holidays. The elderly Chakyar’s eager happiness slowly turns to disappointment and then anxiety.

Barreto’s film offers yet another retelling of Shakespeare’s famous tale of star-crossed lovers. Instead of feuding families whose hatred leads to violence and death, Barreto serves up two families with opposing soccer team loyalties in soccer-mad Brazil.

The movie takes place in São Paulo: The gorgeous Julieta (Luana Piovani) is the beloved daughter of Alfredo Baragatti (Luiz Gustavo), who himself is a lifelong Palmeiras fan as wella s a member of the Board of the Palmeiras Soccer Club.

The news that his first wife was pregnant with a child when they separated some ten years ago comes to official photographer Cao Depai (Li Xuejian) like a thunderbolt out of the blue. Now she is dead, and the son that he never knew was found wandering the streets.

Present-day Chad. Adam, sixty something, a former swimming champion, is pool attendant at a smart N’Djamena hotel. When the hotel gets taken over by new Chinese owners, he is forced to give up his job to his son Abdel. Terribly resentful, he feels socially humiliated.

In this epic drama drawing on Bambara culture, which echoes mythic legends in an invented tale, a hero undergoes ordeals that allow him to renovate a decaying society. A young man must penetrate the secrets of the Komo cult (a real caste of specialist knowledge among the Bambara), whose members have abused their spiritual powers.

The Taiwanese filmmaker Edward Yang shows in his film Yi Yi - A One and a Two the life of a family in modern Taipei. NJ is a man in his mid-forties. He is married, a father of two children and successful in his job - still he is no longer happy with himself and with his life.

While NJ starts seing his old flame again his mother-in-law is in a coma.