Culture
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Piedra sola
The hamlet of Condor lies in the Puna grasslands of the northern highlands of Argentina, at some four thousand metres above sea level, close to the border with Bolivia. Here, a lama herder lives with his family. He and his son sell lama meat and wool in the closest city, which is still a long trip on foot and by bus. When the herd is threatened by a puma, the herder goes in search of the predator. According to local custom, he has to make an offering to the beast. An honest, respectful portrait of a culture that is inextricably and organically bound to nature. More
To the Ends of the Earth
Yoko (Atsuko Maeda) hosts a popular global travel show yet is cautious and insular like many young Japanese. But she has a bigger dream. On assignment in Uzbekistan, Yoko and her small TV crew attempt to catch a mythical fish but fail. They also film segments in Samarkand but feel it’s lacking. Indifferent to her job, Yoko prefers texting her boyfriend in Tokyo. At night, she comes across a tied up goat and suggests releasing it on camera. The plan goes awry and Yoko feels indignant and naive. More
You Will Die At 20
Sudan, province of Aljazira, nowadays - When Muzamil was born, a prophecy by the holy man of the village predicts that he will die when he is 20 years old. Muzamil’s father cannot stand the doom and travels away from home. Sakina, as a single mother, raises her son with over protection. One day, Muzamil turns 19. More
The Wild Pear Tree
Sinan is passionate about literature and has always wanted to be a writer. Returning to the village where he was born, he pours his heart and soul into scraping together the money he needs to be published, but his father’s debts catch up with him.Bonus to view Interview Sarajevo Filmfestival 2018 More
Die Tunisreise - Le voyage à Tunis
A very special journey: In 1914 Paul Klee visited the South of Tunis. More than 90 years later, the filmmaker Nacer Khemir, a painter himself and admirer of Klee, makes the same journey, following the marks Klee has left and guiding the spectator into the tunisian culture in all its richness. We learn about Khemir's films as well as the fascination of Paul Klee and his work. More