Antonio das mortes - O Dragão da Maldade contra o Santo Guer

Movie

Antonio das mortes - O Dragão da Maldade contra o Santo Guer

Glauber RochaBrazil – 1969

The action of the movie takes place in the sertao, the desertified Northeast backlands of Brazil, that is traditionally beyond the rule of law, and that was the site of some of most enduring folklore. The sertao is the region of myth, encapsulated by the historical world of progress symbolized by the highway. The tale employs the cast of folklore characters: the colonel of the ranch; his mistress; the colonel's sidekick; the colonel's enforcer; local bandits (typical of the gangs that grew up in the region either as enforcers or as rural poor abandoned by a patron who lost a local battle); a group of millenialists (similarly, typical of groups of disenfranchised rural poor); the local teacher, a dependent of the colonel. «Antonio das Mortes» is a character at at war with himself.

Original Title Antonio das mortes - O Dragão da Maldade contra o Santo Guer
German Title Antonio das mortes
French Title Antonio das mortes
Other Titles Antonio das mortes
Directed by Glauber Rocha
Country Brazil
Available Formats DVD
Screenplay Glauber Rocha
Film Editing Eduardo Escorel
Soundtrack Marlos Nobre
Cinematography Affonso Beato
Sound Walter Goulart
Décors Hélio Eichbauer, Paulo Lima, Paulo Gil Soares
Costumes Hélio Eichbauer, Paulo Lima, Glauber Rocha, Paulo Gil Soares
Production Glauber Rocha, Claude-Antoine
Runtime 100 Min.
Language Portugiesisch/d/f
Actors
Maurício do Valle Antonio das Mortes
Odete Lara Laura
Othon Bastos Professor
Hugo Carvana Mattos
Joffre Soares Colonel Horácio
Emmanuel Cavalcanti Priester
Lorival Pariz Coirana
Vinícius Salvatori Mata Vaca
Santi Scaldaferri Batista
Awards

Best Director, Cannes Filmfestival

«Cinéma d'action autant que de stylisation - ainsi l'exigent toute épopée, toute légende - ce film émeut et captive par sa beauté, par sa force. Et si la couleur est si importante, c'est qu'elle a un rôle actif, indépendamment de sa fonction esthétique. On pourrait dire que le blanc de la pureté (la " sainte ") contraste avec le noir de la tragédie et avec le rouge de la violence, cette violence qui pourrait choquer certains mais qui, traditionnellement, existe dans ce pays. De plus, ce qui frappe, c'est qu'ici le sang nous donne le sentiment du vrai et que la rébellion, dans son anarchie, sa sauvagerie, exprime un désir de changement social, politique, historique. Car Antonio das Mortes est, pour tout un peuple, un chant d'espérance et de liberté.» Yvonne Baby

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