In the deep Sardinia of the 1940s, at the age of five, little Gavino is forced to drop out of school after only two months because he now has to help his father keep the animals. He thus grows up in isolation, far from human society. It is thanks to military service at the age of 21 that he can escape his father's grip. He learns to read, which is for him a revelation (he will become a linguist), and when he leaves the army, he rejects the report of quasi-slavery imposed by his father.
Original Title | Padre Padrone | ||||||||||||||||||||
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German Title | Padre Padrone - Mein Vater, mein Herr | ||||||||||||||||||||
French Title | Padre Padrone | ||||||||||||||||||||
Other Titles | Padre Padrone | ||||||||||||||||||||
Directed by | Paolo & Vittorio Taviani | ||||||||||||||||||||
Country | Italy | ||||||||||||||||||||
Available Formats | 35mm, DVD, Blu-ray, DCP | ||||||||||||||||||||
Screenplay | Gavino Ledda (Buch, Paolo & Vittorio Taviani | ||||||||||||||||||||
Film Editing | Roberto Perpignani | ||||||||||||||||||||
Soundtrack | Egisto Macchi | ||||||||||||||||||||
Cinematography | Mario Masini | ||||||||||||||||||||
Sound | Pietrantonio Federico, Giovanni Sardo | ||||||||||||||||||||
Décors | Gianni Sbarra | ||||||||||||||||||||
Costumes | Lina Nerli Taviani | ||||||||||||||||||||
Production | Giuliani G. De Negri, Rai Due | ||||||||||||||||||||
Runtime | 113 Min. | ||||||||||||||||||||
Language | Italienisch/d + f | ||||||||||||||||||||
Actors |
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Palme d'Or Cannes 1977
Special David 1978
FIPRESCI Prize 1977
Interfilm Grand Prix Berlinale 1977
«Was Padre padrone über die meisten Filme mit politisch-ideologischem Vorzeichen hinaushebt, ist seine Sinnlichkeit, seine dichterische Grösse und seine bildliche Schönheit. Alles stimmt hier: die gedankliche Genauigkeit, die Weite und Herbheit der Landschaft, die Gesichter der Spieler, ihr sparsamer Dialog und die Musik, die von den Tavianis wie schon in ihren beiden letzten Filmen San Michele aveva un gallo und Allonsanfán mit einer geradezu urtümlichen Wucht eingesetzt wird.» Fred Zaugg, Der Bund
«Construction rigoureuse qui est sans doute la condition même de la plus grande leçon que donne le film; ce destin exemplaire n'est pas donné comme destin-modèle: c'est tout ensemble la description au plus près du vécu du protagoniste de cette ascension sociale et ses limites que propose Padre padrone. Il n'y a pas de miracle à cette richesse du film, qui est d'abord le résultat d'une réflexion sur le langage même qui a précédé et nourri ce film sur l'acquisition du langage.» Émile Breton
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